Negotiated Terrain, 'Borders', crox-boek nr 3, CarianaCarianne, blz. 73-75. Trevor Martin, auteur van het vijfde en laatste deel van crox-boek Nr 3, gaat in op de film van David Lean:
'I am watching "Lawrence of Arabia" and the film begins with Lawrence's death. The narrative that follows is a recollection of his expeditions into the Arabian desert - a memory. The film itself is a cinematic construction, a representation of the memory - a memory of Lawrence dressed in flowing white robes, performing the impossible as he leads a colonial army across the desert to reach the sea. I think of his army, the regimented bodies of soldiers and the colonization of nations of bodies that the film celebrates. In watching, I register my own sense of contradiction as I criticize the history of colonialism but simultaneously appreciate the filmic beauty of the work and its extravagant cinematography: representation, memory, land and sea. I also think of CarianaCarianne's liberated voices and theiir artistic process that proclaims and celebrates their collective entity while seeking to de-colonize their own body and rewrite the social inscriptions they encounter.'
-->Martin, Trevor
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-->Olsen, Kym